Pugazh Movie Review

March 18, 2016

2 minutes read

Review Overview

Performances

Story and Narration

Technical Aspects and BGM

Admissibly enjoyable chronicles.

Thriving to divulge into the commercial format, Pugazh manages to erect itself at par with the standards of a decent entertainer, thanks to a notable performance from its lead actor and some support from the rest. It has its flaws, but can never be brushed away as a ‘nothing’ film. The intent is good, and that’s something to be happy about.

Cast: Jai, Surabhi, RJ Balaji, Karunas, Maarimuthu & others

Cinematography: Velraj

Music: Mervin Solomon – Vivek Siva

Art Direction: T Ramalingam

Editing: GB Venkatesh

Stunts: Dhilip Subbarayan

Written & Directed by: Manimaran

Produced by: Sushant Prasad, Govinda Raj, Varun Manian

Banners: Film Department & Radiance Media

Release Date: 18-03-2016

Run Time: 02:06:00

Manimaran’s Pugazh is the latest addition to the league of commercial entertainers etched within the political ring. Thriving to divulge into the commercial format, the film manages to erect itself at par with the standards of a decent entertainer, thanks to a notable performance from its lead actor and some support from the rest.

Pugazh is set on the crossing of two paths between the youth and the cunning political troupe, and the issues that follow. It jots down the chronicles of those affected by the circumstances and misunderstandings between the two batches. While Jai ostensibly leads one side, it is Maarimuthu as the rough politician who stands on the other. Despite the largely inconsistent narration from Manimaran, the film has its moments, most of which belong to RJ Balaji and the dialogues mouthed by Jai and Karunaas. While the first half is pretty comfortable with the comics and the story gelling nicely, it is the second half where the pace slackens, with the unconvincing ending adding to the worry. Yet, Pugazh finishes off as a passable entertainer which won’t leave you whining.

Jai is adequate in his act, pulling off a simple role with ease. Though he seems to lack enough vigour for this role, his confidence in his dialogues and fights help him pass muster. On the other hand, Maarimuthu impresses with a heavy role, present throughout the film. Surabhi looks gorgeous here, even though she doesn’t have much to do, rather than fitting herself into the shoes of an everyday Tamil heroine. While Karunaas is good as always, the rest of the cast fail to create an impact.

Technically, Pugazh stands up well, with Vivek-Merwin’s songs pepping up the proceedings. The BGM too, deserves a special mention as it does not go overboard trying to break barriers.

Toting up, Pugazh is an adequately enjoyable fare which is neither too good nor bad. It has its flaws, but can never be brushed away as a ‘nothing’ film. The intent is good, and that’s something to be happy about.